Okaidja Afroso
Okaidja Afroso was born into a family of musicians and storytellers in the town of Kokrobite on the west coast of Ghana. He began his career as a dancer with the celebrated Ghana Dance Ensemble. As he toured internationally Okaidja expanded his artistic reach becoming a master multi-instrumentalist, singer-songwriter, and arranger. His uncle was the town’s notorious composer who spared no one with the songs he wrote about life in their small fishing village. Okaidja’s mother was a colorful lead singer in her spiritual church. Her powerful songs of praise earned her the name “the spiritual singer.” As a young boy Okaidja sang while he worked on fishing boats. The fishermen would sing a cappella songs as they worked, and Okaidja passed the long days learning the songs of the great sea.
Often performed in his native language, Afroso’s genre-defying songs convey a whole spectrum of experiences—joy, harmony, tragedy, and hope—that embrace what he calls “the rich complexity of the integrated world we inhabit.” Through his distinctive style that combines various percussion instruments, vocals, guitar, and dance, Afroso explores the perseverance of ancestral traditions and creates a new, contemporary African oral tradition.
“My music preserves my West African roots while embracing diverse cross-cultural influences and styles. I strive to create a rhythmic fusion of old and new that presents a fresh sound that preserves the authenticity of the traditional while embracing the rich complexity of the integrated world we inhabit today. In my workshops and performances I explore how my ancestor’s traditions have persevered and been reshaped in a contemporary version of the African oral tradition. The complex compositions, soulful vocals, and spirited dancing combine to create an unforgettable and unique experience.” - Okaidja Afroso
“One of the undeniable highlights of the evening was the live music performed by Okaidja Afroso. His voice, guitar, and percussion instruments blended into a landscape that was transcendent.”
— LA Dance Review
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